My ’90s Rock Memoir is out now and you can order it below! Signed copies still available…

My ‘90s Rock Photographs exhibit opens Sept. 9th at Art Gallery of Ontario, and the photobook is available for pre-order now.

Ideally you can join me in an analog universe at an upcoming event, but until then join me here for Instagram, TikTok, and to go even deeper, subscribe to my Substack!

MY PHOTOGRAPHS

Melissa Auf der Maur: My ’90s Rock Photographs

Documenting life backstage, onstage and in the crowd, My ’90s Rock Photographs goes behind the scenes of rock-and-roll stardom. Gritty and edgy, playful yet deeply personal, more than 200 photographs from Melissa Auf der Maur’s archive of 10 000 images capture the independent spirit of the ’90s alternative music scene creating a vivid time capsule for Generation X.

“What’s funny is I mostly picture Melissa with a bass in hand back then and don’t remember her having a camera in her hands at all. Perhaps that’s the point? Her incredible capture of so many innocent and unguarded moments.”

—Billy Corgan

PRE-ORDER:

SIGNED COPIES:

MY MEMOIR

Part rock memoir, part travel diary, part psychedelic scrapbook, Even the Good Girls Will Cry is a behind-the-scenes rock ’n’ roll memoir with a soulful intimacy and mystic undertone that sets it apart from memoirs by her peers. It is a vivid dispatch from the last analog decade, artistically capturing that bygone era in all its messy, angsty glory.

“Our ’90s fever dreams were beautiful but they were also brutal and only the good girls, like Melissa, have the guts to tell you that.”

—Shirley Manson

ORDER:

SIGNED COPIES:

EVENTS

Shop

Courtney Love on stage with lighters, Beautiful Monsters Tour, USA, 1999.

Digital C-print

MAdM Archive label
Size: 4 x 6 in
Printed on Fuji Crystal Archive paper

*Please Note:
This is a small sized print - an OG photo lab style print - which is how Melissa would process, view and edit her photographs on the road. C-Prints are a traditional type of photographic print created using a chromogenic process, where light is used to expose a paper coated with silver halide and dye layers, which are then developed with chemicals.

From the photographic archive of Melissa Auf der Maur.

Shot by Melissa, with her trusted 28mm point and shoot, Nikon camera, from the stage on the Beautiful Monsters tour in 1999. This ill fated tour, with co-headliner Marilyn Manson, was Hole's final USA tour.

Auf der Maur obsessively documented her time in the bands Hole and the Smashing Pumpkins from 1994-2001 as they toured around the world.

This photo is used as the wraparound cover of her upcoming memoir, Even The Good Girls Will Cry: A ‘90s Rock Memoir.

This is the first time a photo from the archive is available to the public.

*** This photo catches the spirit of when actual FLAMES from lighters, lit up the cosmos of an arena audience! ***

These largely before unseen photographs, will be subject of an extensive, photographic book and major museum exhibit at the AGO in September 2026.

$99

Courtney Love on stage with lighters, Beautiful Monsters Tour, USA, 1999.
$99.00

From the photographic archive of Melissa Auf der Maur.

Shot by Melissa, with her trusted 28mm point and shoot, Nikon camera, from the stage on the Beautiful Monsters tour in 1999. This ill fated tour, with co-headliner Marilyn Manson, was Hole's final USA tour.

Auf der Maur obsessively documented her time in the bands Hole and the Smashing Pumpkins from 1994-2001 as they toured around the world.

This photo is used as the wraparound cover of her upcoming memoir, Even The Good Girls Will Cry: A ‘90s Rock Memoir.

This is the first time a photo from the archive is available to the public.

*** This photo catches the spirit of when actual FLAMES from lighters, lit up the cosmos of an arena audience! ***

These largely before unseen photographs, will be subject of an extensive, photographic book and major museum exhibit at the AGO in September 2026.

xMADMx, Melissa Auf der Maur, invites you to enter her website archive.

xMAdMx

I LIVE HERE IN THE ETHER,
UNEARTHING THINGS TO SHARE.
. . . . . .